So the nominations for the 85th Academy Awards were released and admittedly, the one thing that I figured they could not mess up, they massively screw up. I’ll get to that in a second but let’s start off with who got the most nominations. Lincoln led the way with 12 nominations, with Life of Pi coming up with 11 nominations itself. Silver Linings Playbook managed to get nominations in all the acting categories, ending with 8 nominations. Argo also got 7 nominations but it should have been 8. Again I digress so before I drop into what I thought were true crimes, let’s go over which movies I thought deserved major props.
I am glad that Joaquin Phoenix did make the nominee list for best actor, despite his rant on hating the Oscar campaigning process and the idea of acting awards. Yeah it’s a political process that is kind of stupid and narcissistic but that should have no effect on how great he was in The Master. I still think he’ll lose to Daniel Day-Lewis in the end but, I mean seriously, who else can stop Lincoln‘s momentum after scoring 12 nominations? As for Best Actress, I’m happy that Jennifer Lawrence got her Oscar nomination because I thought she did a great job in Silver Linings Playbook on a role that could have gone south with any other actress. Ditto with Bradley Cooper getting his first nomination for his portrayal of the bi-polar protagonist. He’s come a pretty long way since we saw him The Wedding Crashers. Also, seeing 9 year old Quvenzhané Wallis and 85 year old Emmanuelle Riva nominated is pretty cool to see, considering it creates a record for the largest age gap in nominees in Oscar history. Supporting Actor made me happy with Alan Arkin and Robert De Niro being nominated for Argo and Silver Linings Playbook respectively. De Niro did a terrific job especially with his understated role as the father struggling to help and connect with his son.
Now to the major issues I have with the list. Number one? Why in the living crap is Ben Affleck not nominated for Best Director? This is the most mind-baffling thing in the world to see considering I thought that Argo was one of the best movies of the year. It did score 7 nominations but I felt it was massively due to the deft handling behind the camera by the actor/director. This honestly kept me in shock for a few minutes before I started writing this article. I can understand why Tom Hooper was not nominated for Les Miserables because people were either loving or hating his direction but Ben Affleck made Argo work and flow beautifully. Another surprise was that Kathryn Bigelow was not nominated for Best Director as well and that Zero Dark Thirty only scored 5 nominations. With that, I think we can predict that Lincoln will have a good chance to dominate the Oscars next month at this rate.
Also why the heck did Perks of a Being a Wallflower and Looper not get nominated for Adapted and Best Original Screenplay respectively? Looper was one of the most creative stories I’ve seen in a movie and it’s a crime that Rian Johnson did not get recognition from the Academy for this one. Stephen Chbosky, in adapting and directing his own novel, should have also got recognition for the great writing and translating to the screen. It kept the spirit of the novel and yet made it entertaining and movie ready so he deserved props for that. Also, why not nominate Skyfall or The Dark Knight Rises for Best Picture? In terms of The Dark Knight Rises, that movie gets better with every viewing and while not as strong as The Dark Knight, it should’ve gotten some sort of nomination, maybe getting Christopher Nolan on the board for Best Director. Again, that’s asking a bit much considering my earlier rant on the snubbed nominees. About Skyfall, I thought it was brilliant and deserved the recognition of being one of the smartest Bond, if not action, movies in a long while. Speaking of, why not even throw in Javier Bardem at least for his Bond villain portrayal? His stuff was great and he owned the screen. Maybe even Samuel L. Jackson or Leonardo DiCaprio for Django Unchained but that Supporting Actor list is pretty solid so I can’t argue that too much. How about Ann Dowd in Compliance? I know it was an uphill battle but man, it would have been cool to see her make the list.
I could go on and on but I’m going to provide the list, thanks EW.com for getting it organized by the way, so you can argue with me on social media about it because…man, I’m a little annoyed with some of the movies and actors not getting their due. I guess we’ll find out on February 24th who the big winners will be. Although if Paperman doesn’t win Best Animated Short, I’m going to riot.
Best Picture
Amour
Argo
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty
Best Actor
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln
Hugh Jackman, Les Miserables
Joaquin Phoenix, The Master
Denzel Washington, Flight
Best Actress
Jessica Chastain, Zero Dark Thirty
Jennifer Lawrence, Silver Linings Playbook
Emmanuelle Riva, Amour
Quvenzhane Wallis, Beasts of the Southern Wild
Naomi Watts, The Impossible
Best Supporting Actor
Alan Arkin, Argo
Robert De Niro, Silver Linings Playbook
Philip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained
Best Supporting Actress
Amy Adams, The Master
Sally Field, Lincoln
Anne Hathaway, Les Miserables
Helen Hunt, The Sessions
Jacki Weaver, Silver Linings Playbook
Best Director
Michael Haneke, Amour
Ang Lee, Life of Pi
David O. Russell, Silver Linings Playbook
Steven Spielberg, Lincoln
Benh Zeitlin, Beasts of the Southern Wild
Best Original Screenplay
Amour, Michael Hanake
Django Unchained, Quentin Tarantino
Flight, John Gatins
Moonrise Kingdom, Wes Anderson and Roman Coppola
Zero Dark Thirty, Mark Boal
Best Adapted Screenplay
Argo, Chris Terrio
Beasts of the Southern Wild, Lucy Alibar and Benh Zeitlin,
Life of Pi, David Magee
Lincoln, Tony Kushner
Silver Linings Playbook, David O. Russell
Best Animated Feature:
Brave
Frankenweenie
ParaNorman
The Pirates! Band of Misfits
Wreck-It Ralph
Best Cinematography
Anna Karenina, Seamus McGarvey
Django Unchained, Robert Richardson
Life of Pi, Claudio Miranda
Lincoln, Janusz Kaminski
Skyfall, Roger Deakins
Best Costume Design
Anna Karenina, Jacqueline Durran
Les Misérables, Paco Delgado
Lincoln, Joanna Johnston
Mirror Mirror, Eiko Ishioka
Snow White and the Huntsman, Colleen Atwood
Best Documentary Feature
5 Broken Cameras
The Gatekeepers
How to Survive a Plague
The Invisible War
Searching for Sugar Man
Best Documentary Short
Inocente
Kings Point
Mondays at Racine
Open Heart
Redemption
Best Film Editing
Argo, William Goldenberg
Life of Pi, Tim Squyres
Lincoln, Michael Kahn
Silver Linings Playbook, Jay Cassidy and Crispin Struthers
Zero Dark Thirty, Dylan Tichenor and William Goldenberg
Best Foreign Language Film
Amour, Austria
Kon-Tiki, Norway
No, Chile
A Royal Affair, Denmark
War Witch, Canada
Best Makeup and Hairstyling
Hitchcock, Howard Berger, Peter Montagna and Martin Samuel
The Hobbit: An Unexpected Journey, Peter Swords King, Rick Findlater and Tami Lane
Les Misérables, Lisa Westcott and Julie Dartnell
Best Original Score
Anna Karenina, Dario Marianelli
Argo, Alexandre Desplat
Life of Pi, Mychael Danna
Lincoln, John Williams
Skyfall, Thomas Newman
Best Original Song
“Before My Time” from Chasing Ice, music and lyric by J. Ralph
“Everybody Needs A Best Friend” from Ted, music by Walter Murphy; lyric by Seth MacFarlane
“Pi’s Lullaby” from Life of Pi, music by Mychael Danna; lyric by Bombay Jayashri
“Skyfall” from Skyfall, music and lyric by Adele Adkins and Paul Epworth
“Suddenly” from Les Misérables, music by Claude-Michel Schönberg; lyric by Herbert Kretzmer and Alain Boublil
Best Production Design
Anna Karenina, Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
The Hobbit: An Unexpected Journey, production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
Les Misérables, Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
Life of Pi, Production Design: David Gropman; Set Decoration: Anna Pinnock
Lincoln, Production Design: Rick Carter; Set Decoration: Jim Erickson
Best Animated Short
Adam and Dog
Fresh Guacamole
Head over Heels
Maggie Simpson in “The Longest Daycare”
Paperman
Best Live Action Short
Asad
Buzkashi Boys
Curfew
Death of a Shadow
Henry
Best Sound Editing
Argo, Erik Aadahl and Ethan Van der Ryn
Django Unchained, Wylie Stateman
Life of Pi, Eugene Gearty and Philip Stockton
Skyfall, Per Hallberg and Karen Baker Landers
Zero Dark Thirty, Paul N.J. Ottosson
Best Sound Mixing
Argo, John Reitz, Gregg Rudloff and Jose Antonio Garcia
Les Misérables, Andy Nelson, Mark Paterson and Simon Hayes
Life of Pi, Ron Bartlett, D.M. Hemphill and Drew Kunin
Lincoln, Andy Nelson, Gary Rydstrom and Ronald Judkins
Skyfall, Scott Millan, Greg P. Russell and Stuart Wilson
Best Visual Effects
The Hobbit: An Unexpected Journey, Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
Life of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
The Avengers, Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
Prometheus, Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
Snow White and the Huntsman, Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson
Grizzly Bomb 