American Psycho Possibly Getting the TV Treatment with FX

Serial killers seem to be fast becoming the new zombie for entertainment fans. As well as having Dexter, Bates Motel, and Hannibal we now have the return of a character that was thoughtful enough to give musical advice while murdering his victims. Yes Patrick Bateman may be making a return in a televised series of American Psycho. Planned for FX, it has Allison Shearmur (The Hunger Games: Catching Fire) producing and Stefan Jaworski (Those Who Kill) behind it as writer.

For people unaware of Mr. Bateman (and who have been living under a rock since 1991) he is a yuppie executive who in his spare time murders his colleagues and any one he becomes annoyed with. The book American Psycho, where Patrick is first unleashed into the world (he does appear in a very brief scene in The Rules of Attraction novel), came from the brilliant mind of Bret Easton Ellis, and was turned into a movie starring former Batman, Christina Bale, who gives a stunningly mental performance.

It seems in this updated version (which follows on from the movies and novel), Bateman is now in his 50s and has taken on a protegé to help him in a sick social experiment which will hopefully create a new generation of psychos just like him. Sounds promising and if this is crafted as well as the Hannibal series, it should be superb. A big part of what makes Hannibal great is knowing who the killer is and watching him twist the cast around his fingers. We would guess that American Psycho is probably going to take this route as well. It would be difficult to mold him as the likable psycho like we’ve seen in Dexter, because he really is a bit of an unlikable chap. In the movie, though everyone he meets loves him until the moment he snaps in front of them. If it involves a protégé then his manipulation of people Patrick has will definitely come into play.

No casting news as of yet but the serial killer role is going to be a tough one to fill. TV psychos tend to be more charming and sophisticated with just a hint of menace behind their eyes. It is unlikely that Christian Bale is going to reprise his role as Patrick so the casting of this role is going to be crucial in the audience accepting this new series and character.

The only downside is that first impressions of the book and the movie were you did not actually know if Patrick was a killer or not. The scenes of murder that we see him witness are all discredited by the end and certainly make you wonder if it is all in his head. The ambiguous nature of this ending really appealed to me. However, the existence of a series with a protégé seems to confirm it will not be in his head, unless it is later revealed to all be imagined. That is the great thing about entertainment though, how differently each person interprets the material in front of them. TV interpretations of popular characters from books and film have been incredible as of late and very well scripted pieces. Here is hoping American Psycho can do the same as the many shows before it. If it can it should make for some fantastic television.

A&E’s Bates Motel: 1.01 – “First You Dream, Then You Die”

In 1959 Robert Bloch wrote a novel titled Psycho. It was about an unbalanced man named Norman Bates and his mother Norma, with whom he ran a motel…and murdered people. A year later, Alfred Hitchcock cast Antony Perkins as Norman, and turned the novel into a masterpiece of film-making which to this day stands as his more recognized work.

‘Bates Motel’ Has Some Teasers; Motel Room Sales Decline After Viewings

This seems to be the days of Alfred Hitchcock with his imprint and likeness being reintroduced to pop culture recently with movies and television series abound. We had The Girl, the HBO movie; Hitchcock, the Anthony Hopkins film; and now we have some more awesome news on the new A&E series, Bates Motel.

Now, we haven’t heard too much other than the first details of the Freddie Highmore as Norman Bates as a kid series with Vera Farmiga playing his less decrepit looking mother in her youth, but we at have this first picture to show. Which is awesome because I love the house looming large in the background and it creates such a buzz for me in wanting to watch this series. But that’s not all folks! We also got some teaser trailers for you that show absolutely nothing yet definitely set the tone of (hopefully) what is to come. Shall we take a gander?

http://c.brightcove.com/services/viewer/federated_f9?isVid=1&isUI=1

Want more? How about the 2nd teaser?

http://c.brightcove.com/services/viewer/federated_f9?isVid=1&isUI=1

So yeah, all you really need is the Inception “BRRHAAAAAMMM” horns and you can make anything epic. Again, it sets a great tone for the series as we try to figure out what about the house makes the people go a little bit….Psycho? Too much? But seriously, looking into the relationship between how the son developed into the adult Norman Bates and the impact of his mother on his future is something we all need to see. With the teasers showing that perhaps the Bates Motel is something not to be trifled with, or at least the family, we might know exactly how dedicated this family is to each other.

Anyways, leave some comments on the bottom or on our Facebook so we can see how excited about this you are or how lame you are if you don’t like Hitchcock. It better be the former because that’s just un-American otherwise. Bates Motel is due in 2013 on A&E.

[amazon_carousel widget_type=”SearchAndAdd” width=”600″ height=”200″ title=”Alfred Hitchcock Movies” market_place=”US” shuffle_products=”False” show_border=”False” keywords=”Hitchcock” browse_node=”” search_index=”DVD” /]

Countdown to Halloween #27: Norman Bates

What is the fascination with serial killers? Let’s be honest with ourselves. We put on a facade in public that serial killers are diabolical filth we do not wish to be fetishized. In actuality, if you are not directly involved in their schemes or one of their victims, you can’t help but hold a bit of intrigue for them. If you don’t believe me, then why is Showtime’s Dexter on its seventh season?

‘Bates Motel’ Could Be as Heart-Pounding as ‘Psycho’

Alfred Hitchcock may no longer be walking this earth, but his cinematic influence has yet to disappear entirely.  Directors of horror films will still say they are going for that Hitchcock-like sense of terror and tension, and other directors simply decide to remake his stories entirely.  We’ve seen several well-known remakes already, including Mission: Impossible II in 2000, Flightplan in 2005, and Disturbia in 2007. Now it’s time for Hitchcock’s Psycho, possibly his most famous title, to get some new attention.

A&E recently announced their plan to produce a series called Bates Motel, a prequel to Hitchcock’s Psycho.  Coming from executive producers Carlton Cuse (Lost) and Kerry Ehrin (Friday Night Lights), the series will chronicle the relationship between Norman Bates, the famous serial killer, and his mother Norma. It will reveal how he became the murderer we know him as today. Cuse said: “We are incredibly excited to start production on Bates Motel. We think our take on the Bates family will both be surprising and subvert expectations.  We can’t wait for people to check in” [The Hollywood Reporter].

Your son is gonna grow up crazy, woman.

Though the series will not debut until next year, plenty of decisions have already been made.  A&E announced fairy early on, for example, that Vera Farmiga (The Departed) will be playing the role of Norma Bates.  TV Guide also announced two weeks ago that child star Freddie Highmore snagged the role of young Norman. You may remember Highmore as the wide-eyed, innocent-looking chap from Finding Neverland and Charlie and the Chocolate Factory.  Bates Motel will also star Max Thieriot as Dylan, “Norma’s oldest son and the big brother to Norman who is described as a petulant and rebellious James Dean-type” [The Hollywood Reporter].

As a Hitchcock fan, I am ashamed to admit I have not had the opportunity or made the time to see Psycho yet.  I have adored Rear Window for years, marveled at the three-shot-only The Rope, flinched at the heights of Vertigo, and mentally pictured Hitchcock filming North by Northwest when I visited Mount Rushmore my sophomore year of college.  And yet after all of this, I have not seen Psycho.  It’s also a degradation considering I’ve been at two of its filming locations – the old Jefferson Hotel building in Phoenix, Arizona, and the I-99 between Fresno and Bakersfield, California.

There are several reasons I’m determined to see Hitchcock’s classic and then watch the A&E prequel.  First of all, because I’m one of those people who generally wants to see or read the first version of a story before I watch another interpretation of it, I’m going to have to add Psycho to my list.  Fortunately, I have plenty of time to get to it since Bates Motel is not coming out until next year.  However, since I’ve managed to avoid the original film for 25 years, I better not just assume I’ll “get to it” given another year, either.  I’ll have to be diligent this time around.

In addition, I cannot wait to see Freddie Highmore’s interpretation of Norman Bates.  Freddie fascinated me from the first time I saw him act in Finding Neverland, and has not lost my respect since.  Definitely impressive is a young boy who can consistently hold his own against a veteran favorite like Johnny Depp.  His role in Bates Motel will reveal much about how he’s developed as a young man and as an actor.

I only have one trepidation regarding the new series, though, and that has to do with Cuse’s comment that it will surprise and “subvert expectations.”  To me, that implies, “We wanted to try something new that may not have anything to do with the original intent of the previous director/writer.”  I automatically think of films like The Mummy: Tomb of the Dragon Emperor that were intended to be in the same “spirit” as the first film(s) but failed miserably.  My one consolation is that the teaser poster released for Bates Motel produces the same chilling aura as when someone mentions the word Psycho.  Hopefully these artists’ skills of capturing that Hitchcockian atmosphere transfer over into the entire cast and crew, as well.

This looks promising.

Seeing classic filmmakers’ works be appreciated, copied, and referenced in this day and age gives me hope that television and Hollywood magnates will not altogether forget their past so we can continue to pass on these stories to our children.  Hopefully, this is the way that A&E is viewing its Bates Motel, and if so I’ll be ready to turn on the television.  I just need to make sure to add Psycho to my “things to watch” list this week.