Universal Pictures released the first trailer in the next installment of the popular “Bourne” franchise. In the new film, Matt Damon returns to the celebrated role in Jason Bourne.
Check out the first trailer for Jason Bourne below:
Continue reading Jason Bourne: First Action-Packed Trailer Hits
As if the recent flood of comic book movies wasn’t enough to prove the geeks will inherit the earth, ABC has just put in an order for Marvels Most Wanted, an Agents of SHIELD spin-off set to star Adrianne Palicki, whose character Bobbi Morse (Mockingbird) kicked major butt for SHIELD last season.
Continue reading Adrianne Palicki to Lead New Agents of SHIELD Spin-Off
I was looking forward to this episode mainly because in the back of my mind I’d hoped there would be a Cobie Smulders sighting with an Avengers sketch. Sadly there was no Cobie Smulders but there was an Avengers sketch. Unfortunately the episode wasn’t all that funny. There were some bright spots however, not as many as last week, but a few nonetheless.
One of those bright spots was the cold open. Everyone in the world knew that General Patraeus and his side projects would be the subject for at least one sketch, but SNL thought he was good enough for two sketches and a Weekend Update sketch. The cold open was Cecily Strong as Paula Broadwell reading from her new book All In. This was one of those sketches that I can’t believe they were able to keep a straight face. The second time I uttered “dirty girl” I would have been a goner. Strong got through it without even cracking a smile, that’s impressive. All I could think of though, was Allison Janney in 10 Things I Hate About You as the smut writing guidance counselor. She would have loved Broadstone’s book. Well the SNL version at least.
The monologue was just bad. Yes there are fangirls who are absolutely beside themselves with excitement that Jeremy Renner sang for his monologue but when you are doing a musical monologue the week after Anne Hathaway killed it with her Les Mis monologue? It isn’t going to go well. It’s not that he doesn’t have a good singing voice, it just wasn’t that funny. I will give him this though, he played off the technical difficulty quite well and even though he was visibly nervous, he did perform well, I just didn’t find it entertaining.
http://www.nbc.com/assets/video/widget/widget.html?vid=1424422
Another thing I had really looked forward to in my “dream SNL episode” was another short type of piece with Adam Levine because “Iran” remains one of my favorite sketches to date. I get that song stuck in my head all the time. However, as disappointed as I was that there wasn’t an Adam Levine short, I have a feeling that the “Tourism ad: Your Hometown” piece might be a new favorite. If for no other reason than I can relate to that completely. Granted my mom doesn’t send us home with leftovers but I can not tell you the number of times I’ve had to hear about my “crap in the basement”. I’m not one that would ever return to my old high school but just the image of Taran Killam sitting in the parking lot and then changing his mind about going in makes me chuckle. That was the highlight of the night for me.
My feelings on “The Californians” were addressed the last time this awful sketch was rolled out.
“The Situation Room” returned to General Patreaus and frankly, wasn’t that funny. The highlights were playing the one bit of footage they have of Jill Kelley over and over and when they then decided to go with a “CNN Dramatization” I woke up my “sleeps like the dead” husband because I laughed so hard. How could I not laugh at Tim Robinson dressed in a pretty pink dress as he happily pranced to his car?
“The Standoff” was actually a really good short. Much like the shorts have been this year, it wasn’t in your face funny but it definitely had its moments. When it was over I was left with more of a “you know I enjoyed that” feeling rather than “Oh that was hysterical!” one and even though I watch SNL to laugh, it’s hard to not appreciate when they put something together that is well done even if it’s not slapstick.
Bobby wearing suspenders in the shower though made my night.
Maroon 5 was good, there wasn’t really any doubt they would be. Thankfully they left their screensavers at home.
When Weekend Update has two guests, I usually love one and can’t stand the other. This week however, both guests were great. If you haven’t seen any video of Katt Williams then make your way over to YouTube immediately and watch some. You will then appreciate how spot on Jay Pharoah’s impression was. If he petted his hair one more time I was going to lose it.
When Seth Myers announced Chris Christie, I fully expected to see Bobby Moynihan again. Instead, we got the real thing. Whether you are a fan of Christie’s or not, I think we can all agree that he did a good job. He was quite the good sport and I appreciate that in people. Make fun of yourself a little bit and you’ll go far. Well done Gov. Christie, well done.
Not well done? The Avengers sketch. Lazy, lazy, lazy. The joke of Hawkeye not really doing anything was funny but the execution of the sketch just sucked. I was quite disappointed because I (like I’m sure many others) was looking forward to seeing what they would do. Thankfully Thor asked for a scrunchie otherwise the entire sketch would have been a loss.
“Thug #2” seemed like a throwaway sketch. Not much point to it beyond, Jason Sudekis is an ass and his name is Dick Fuel. That’s about it. Boring.
I thought I’d been transported back to the 90’s with the animated “Cool Drones” piece. So much so that I actually went to the internets and looked up to see if Robert Smigel was involved. Smigel being the man behind “TV Funhouse”. He actually was not a part of “Midnight Snack” as it was done by Augenblick Studios. Whoever had the idea to turn drones into a boy band needs a big kiss on the mouth because that was awesome. Here’s hoping there are more episodes of “Midnight Snack” in the future.
If “Tourism ad: Your Hometown” was my favorite part of the night, the final sketch of the night was my second favorite part. It was a simple sketch but they did a good job with it. I am somewhat amazed that Taran Killam did not absolutely lose it as Bill Hader was beating about the head and chest. I don’t think he even cracked a smile and that is impressive.
As a whole, the episode was weak. It felt like they wrote sketches that they then put Jeremy Renner into instead of writing sketches for him. I personally am not a fan of episodes like that. Then when they did write an episode for Renner (I’m assuming “The Avengers” was written with him in mind) it was just lame. Very disappointing.
I really wish they had included this “Thanksgiving Dinner” sketch that was put up on NBC’s site from the dress rehearsal.
http://www.nbc.com/assets/video/widget/widget.html?vid=1424415
Here’s hoping that the show on December 8th (there is no new episode the next two weekends) with Jamie Foxx is much better.
Until then SNL fans, have a Happy Thanksgiving!
I feel as if I should disclose something before I begin. I adore Anne Hathaway. She can do no wrong in my eyes. However, I was pretty certain that after the crushing defeat Alabama suffered yesterday, I was never going to laugh again. If there was anyone that could bring a smile back to my life, surely it was Anne Hathaway. Thankfully, she came through for me.
Thankfully the cold open didn’t dictate how the show would end up because it was just bad. Okay, maybe it wasn’t bad but it certainly wasn’t as[pullquote_right]Paul Ryan is doing feats of strength.[/pullquote_right] good as it could have been. I was really hoping they’d do a Fox and Friends with Karl Rove as their guest. Then again there’s the logistics of who Bobby Moynihan would play (he was Karl Rove in the open) but surely they could have figured something out. Oh well, I suppose it was nice to send off Jason Sudekis’ Mitt Romney impression with one last cold open.
http://www.nbc.com/assets/video/widget/widget.html?vid=1423640
All was forgiven when the monologue got under way. Usually when they do a musical monologue I roll my eyes because it seems like an easy cop-out but this was Anne Hathaway, Les Miserables, the entire cast, and the Mexican flag. There was no way this wasn’t going to be awesome.
Best part was Tim Robinson and Aidy Bryant singing that they aren’t in many sketches because they are new. Of course Cecily Strong is new and we’ve seen plenty (too much at times) of her. There was one person a bit out of tune there on the last held note but sometimes even ex-choir directors are able to look past that and enjoy it anyway.
The “Girlfriends Talk Show” was a throwaway. Not much to write home about except it was nice to see Aidy as a main character of a sketch.
[pullquote_left]He’s most likely carrying diseases[/pullquote_left] The last two digital shorts might have been more of a dark humor but “Mokiki” was just straight up funny. Odd, very odd, but still funny. Perhaps it was simply due to it being Taran Killam and Anne Hathaway, two people I adore, but I loved it. The best part has to be the random people’s reactions. I suppose if you don’t watch the show and don’t have the “where is Taran Killam located right this moment” app on your phone then it’s a good chance you’d really think this dude was a bit off. Of course you’d also maybe wonder as to why there was a camera following this fool around but some people are just that oblivious.
When it comes to sketches that are parodies of shows, especially shows on premium channels, I feel badly for the viewing public that has not seen said show. Same goes for last night because if you don’t watch Homeland, then you probably have no clue as to how on spot and perfect the Homeland sketch was. Well I do watch Homeland so let me assure you, it was the best sketch of the night.
I don’t know that I’ve seen Bill Hader do Mandy Patinkin before, but it was uncanny. Taran Killam and Anne Hathaway’s Brody and Carrie, 
respectively, were hysterical. It was one of those sketches that you watch it and realize that the show you love and that is so well done, really is ridiculous when looked at in a different light. I imagine if Clare Danes and Damian Lewis were to watch the sketch, they’d agree that SNL’s interpretation was well done.
The McDonald’s sketch was both predictable but funny at the same time. My only beef (ha!) is with Cecily Strong. I get that there was a lot of dialogue to remember in that one but perhaps try to not be so obvious about reading off the cards. That and the writing could have been a little better.
Bobby 
Moynihan is stellar with sketches like this one and last night was no different. If Taran Killam were no longer on the show, Bobby Moynihan would easily be my favorite cast member. Second best sketch of the night.
Usually the musical guests are an amusing, sometimes entertaining, break from the show. When Rihanna’s first number started, I thought I had accidentally ingested some mushrooms. What the hell was that? Seriously. I know I’m dating myself but it looked like she had gone to Bush Gardens and made a music video at the green screen booth. I fully expected her and her band to come out in the Old West costumes under a sepia light for the second number. The band was just a bunch of floating heads as what looked awfully like a Windows 98 screen saver. Not sure whose idea that was, but they need to perhaps find a new line of work because that was just horrendous. It did however, show exactly what I love about the internet today. Even 10 years ago you’d have to wait until Monday to have that “did you see Rihanna’s first performance on SNL?” conversation. In today’s world you can jump on tumblr, go to the SNL tag and immediately there are a ton of people asking the same thing. We live in great times friends, great times indeed.
Drunk Uncle is quickly becoming one of my favorite Weekend Update guests. I’m sure there are people who will hunt me down like a dog when I saw this but I actually hated Kristin Wiig’s “Aunt Linda” character. Sure she had her moments but overall, not fun. Drunk Uncle? Love him. I nearly choked on my coffee (had to watch SNL this morning due to the aforementioned depression over a football game) when he did the Windows 8 bit. Here’s hoping there more of Drunk Uncle in the future.
Another thing I hope sticks around for awhile- Kate McKinnon’s Ellen. Everything about it is so well done that I couldn’t believe this sketch was actually in the last part of the hour. It could have easily switched spots with the “Girlfriends Talk Show” and I’m wondering if time was the only reason it wasn’t. The way she jumps up and down in the chair and their shout out to the YouTube kids, great sketch all the way around.
The rest of the episode was a sketch about “American Gothic” that was mildly entertaining, Rihanna minus the hallucinogenics, and a fauxmercial. They were all right. Most notable thing was people’s reaction to the fauxmercial. Apparently you can’t poke fun at people with fake allergies. I was unaware of this and will readjust my life accordingly. Thank you internet for showing me the error of my ways.
Overall? A solid episode. When I watched it the first time, there wasn’t anything that stood out as “best sketch ever!” nor any that just sucked ass. Second time watching it, I realized that was because the episode was good in its entirety. Sadly, that is not the norm so it was a pleasant realization.
Next week will bring out the fanboy in all of us as Jeremy Renner will be hosting. You best believe there will be at least one Avengers reference, if not many. I can’t wait!
Until then!
When I first heard that Hansel & Gretel: Witch Hunters was actually, like, a thing, I wasn’t as angered as I could have been because I heard that Adam McKay and Will Ferrell were producing. Awesome, a satire using classic fairytale characters as the protagonists, I’m in. Now, after seeing the trailer…I’m not sure.
The first thing that struck me as odd was the fact that the name Will Ferrell, Adam McKay, or Gary Sanchez Productions was nowhere near this thing, leading me to believe it’s a bit of a marketing ploy to get the asses in the seats. Something similar to Abraham Lincoln: Vampire Hunter. Second, despite Jeremy Renner’s participation in this film, this really does look like the worst thing ever put to film, and I’m not even joking. Every moment this went on was a moment I wanted to die. Seeing Famke Janssen shooting a giant machine gun as a vampire; cool in theory, not so much in practice.
According to the Wikipedia synopsis:
Catching up with Hansel (Renner) and Gretel (Arterton) 15 years after the traumatic incident involving a gingerbread house, the siblings have evolved into vengeful bounty hunters dedicated to exterminating witches. Over the years, the siblings became expert hunters, famous for their proficiency at tracking and taking down their prey. Although still recovering from their ordeal, their work is relatively easy as for an unknown reason harmful spells and curses do not work well against them.
The Mayor of Augsburg recruits them to rid the town and nearby forests of an evil sorceress (Janssen) who is planning to sacrifice many local children at the witches’ gathering during the upcoming ‘Blood Moon’ night in two days time. To make things worse, the duo also has to deal with the brutal Sheriff Berringer (Stormare) who has taken power in Augsburg and conducts a very indiscriminate witch-hunt of his own.
Well..that just sounds awful, now doesn’t it?
Seriously, though, my advice? Watch a good movie. Any other good movie will do.
Check out the trailer below, I guess…
There is an irony to The Bourne Legacy. The soldiers in the movie blindly do what they are told and never question the mission or authority. If an important task needs to be accomplished, they go head first, with an eye on the prize and don’t blink. They are only controlled by what seems to be a reliance on the same two sets of pills. The redundancy of these tasks echoes the movie. The film charges forward without questioning its path despite the ripe material it glances upon but we continue to eat it up because we don’t question the monotony of what we view on the screen, which results in a generic action thriller that only scratches the surface of a greater story.
In the fourth installment of this series, Aaron Cross (Jeremy Renner) is a genetically enhanced field agent similar to Jason Bourne (Matt Damon, who shows up in spirit only). He is part of the Outcome program, a more sophisticated, controlled program than Treadstone from the first three films. These soldiers are genetically enhanced for higher motor and physical skills, as well as better mental dexterity and ability. They have a reliance on a set of two pills, as previously mentioned, which breaks down into the blue and green. It does remind of The Matrix in which the control and enhancement of their abilities is based on whether they take the pills or not. The major difference is if they take the pills, they play into the control aspect of being reliant on their prescriptions from their providers (granted, if they don’t take the pills, they probably get shot).
Unfortunately for these Outcome members, Jason Bourne is happening. More specifically, the third movie’s events, The Bourne Ultimatum, is running concurrently during this movie. He raises the profile of the possibility of other programs in the CIA so in turn, all evidence must go. That includes Outcome and its members. So Aaron Cross must survive and find answers, and of course, he is almost out of the pills so he must find a doctor connected to Outcome (Rachel Weisz, who follows the Hollywood tradition of aging backwards) in order to get his dosage and survive.
The best part about the Bourne movies were its ability to take a small detail and make it rich in detail, or provide an essential purpose. Whether looking at the limits of patriotism or the idea of fighting for freedom with people who had theirs taken from them, I loved the Bourne Trilogy because there was that underlying message of the cost of ‘whatever it takes’. Of course, being able to use a magazine to disarm someone or a towel to take out a knife wielding villain helps too. I feel this movies brushes against these issues yet won’t attach themselves to them.
Edward Norton plays Eric Byer, the guy tasked with cleaning up the Treadstone mess and anything related to it but him and his character were surprisingly one note. There was no tension on what he provides on-screen, no sense of urgency that he felt like a character born out of the necessity of moving the plot along. He was there to explain to the audience why Aaron Cross is the person we were following in this movie. Byer and his team were into the players from The Bourne Ultimatum like Pamela Landy (Joan Allen), Ezra Kramer (Scott Glenn), Albert Hirsch (Albert Finney), Noah Vosen (David Strathairn) and the most frustrating thing was to not watch their stories unfold. I wanted to know how or if there were going to be punished for their roles in the clandestine world of black ops, whether Landy uncovering Treadstone made her a patriot or a traitor to the country; if CIA Director Kramer covered up what was the best means possible to get the job done and if the ends justified the means; if Dr. Hirsch opened up the gates to super soldiers; or if Vosen was correct in his definition of patriotism and loyalty to his nation. I got none of this. Writer and director Tony Gilroy went the wrong way for this movie because it merely scratches the surface and nothing more.
It doesn’t help that the movie was boooorrrriiinnngggg. This is of no fault to Renner or Weisz, who were both good in their roles. The flick just comes up short and as it just wants to be a carbon copy of actions movies. For the first third of the movie, I felt I was watching The Grey. The chase was straight out of The Bourne Ultimatum. Heck, I felt like I was watching Spy Game during certain pockets of the movie. I wasn’t sure if I was watching a survivalist movie, a straight action flick, or a detailed espionage flick. Regardless, we’ve seen the movie before. It brings nothing new to the table and sadly, felt like it had no purpose. This movie did not follow its namesake and expand upon the legacy of Bourne. The action was decent but never anything ground breaking or having cause to talk about it right after the movie about “hey, did you see that one part?!”
There were good parts in the movie, such as the Manila rooftop and car chase (although I’m biased coming from the motherland myself) and less reliance of shaky-cam but this movie could have been so good. Maybe my expectations were too high dealing with the Greengrass/Damon combination. There is no creativity in the movie and that takes away from the mythology of Bourne. Even more frustrating is how the movie just ends with no real resolution to the plot or characters in this story. This movie is nothing more than diversionary ploy to look aesthetically pleasing yet provide no answers while asking the wrong questions. Skip the Bourne ‘Letdown’.
On a side note, another program that is chasing Cross all around Manila, is a beta subject that exhibits even less empathy. He basically came off as the Asian T-1000. Sunglasses, police motorcycle, him running and giving the quick turn and stare before launching him arms in perfect 90 degree swinging motion…seriously entertained Dr. Kronner and myself. Some of my exes might even think that’d be me considering how “emotionally unavailable” I am…So apparently based off of that, I am the next Jason Bourne – with NO EMPATHY.
Grizzly Bomb 