Pablo Fernández Eyre has created a side-by-side comparison of visual similarities in John Carpenter’s Escape From New York and its later sequel, Escape From L.A.
Continue reading Video Details The Visual Symmetry In Escape From New York And Escape From L.A.
In retrospect, it’s a little bit embarrassing to think that Lockout was on my most anticipated films of the year list. But I mean, how can you blame me? The film’s first preview was engaging enough, and for God’s sake, the movie had Guy Pearce in it. For those not familiar with the powerhouse of legendary action that is Guy Pearce, he’s the actor to beat all actors. I’ve only recently become a Guy Pearce fan, but after seeing some of the films in his resume, I can safely say that the guy is one of the most eclectic and talented guys working in film today.
So why would he accept a role as amateur as this? To be honest, I don’t know, but here are five reasons that lead me to believe that Lockout will not live up to its potential. I’ll also include three reasons why the inner action film fan in me is going to love this movie.
Yes, yes. The dreaded PG-13 rating. Very few films have been able to truly push their PG-13 to its full potential (The Dark Knight and Titanic specifically), and I highly doubt that Lockout will be the film to break new ground with this MPAA certificate of approval. Had the film been rated R, it probably could have had the appeal of graphic violence in its favor. But alas, money is everything in Hollywood, and the more asses you can get into the seats, the happier the execs are.
Personally, I don’t think this film will work as a PG-13 film. The premise and central villain seem to be too gritty for a PG-13 movie. Then again, screenwriter Luc Besson kind of made Taken work as a PG-13 action movie, but just barely. I’m also definitely not expecting the Christopher Nolan level of genius that came with The Dark Knight.
This reasoning can be considered invalid by a lot of readers, and I completely understand that. But look at this from my perspective. If your first film seems to be a witless, joyless, and ultimately brainless action film that happens to star a great actor, what can we expect from you in the future? I agree with the whole “where would we be as filmgoers if we never gave first time directors a chance?” mentality. But what I don’t agree with is letting what are pretty much two amateurs make a film like this. Granted, Lockout has a fairly modest budget of $30 million dollars (compare that to the $250 million dollar price tag on The Dark Knight Rises), but I’d like to see a feature film debut more along the lines of the ingenious Tucker & Dale Vs. Evil.
The last time we let a first time director make a big budget Guy Pearce movie, the result was the god-awful Don’t Be Afraid of the Dark, and much like Lockout, it was vouched for by a very popular filmmaker (Guillermo Del Toro). I theorize that the only reason Lockout had a chance of being produced was because of Luc Besson who came up with the original idea and co-wrote the screenplay for the film. He also serves as executive producer on the picture. In other words, he really wanted to see this movie hit the big screen.
This is one that I hate to have to bring up, but it’s true. It really is. Sure the guy has made a couple cool looking movies over the past few years with some great martial arts and some admittedly great gunplay, but have things really been great since The Professional? No, they haven’t. Sure, From Paris With Love and The Transporter trilogy had some moments of greatness, but overall, they were just pretty good. Really good even, but not great.
I respect Luc Besson, I really do. But at the end of the day, he’s great at one thing. Mindless action films. He rehashes his ideas and uses fast paced and slickly edited action sequences to get things moving. Like my mother always said, you can polish a turd but at the end of the day it’s still a piece of shit. (Had to throw in a Jody Hill reference to keep things moving!)
Earlier this year, a little $17 million dollar film called Chronicle was released and it completely turned the superhero genre on its head. I’m not sure if you guys remember, but the CGI in that film was pretty freaking fantastic. Now, after reading some advance reviews and rewatching the previews for Lockout, I can honestly say that without seeing the movie, the effects in this movie border on…pathetic.
Don’t believe me? Take a look at the preview again, and when Guy Pearce is riding the futuristic looking motorcycle, tell me with a straight face that those CG graphics don’t look like something straight out of a video game. Which leads me to my final point…
Upon a first viewing of the preview for Lockout, I was intrigued and ultimately began to really anticipate this film. Now, I look at the preview and I just laugh. The cheesy one-liners, the crappy CG effects, the awful dialogue, and the borderline plagiarism that occurs in the story line (Escape from L.A. meets Die Hard, anyone?) On top of that, the cast is full of B and C list actors, not including Guy Pearce, that look flat out embarrassed to be on camera.
Now that I’ve basically shit on this movie before it’s even come out, here are three reasons why Lockout might not be as bad as we think…
Need I say more? The man is a god in his arena. He can do anything from a western to a sci-fi to a horror to a family drama, and he can do it damn well, too. I’ve never really seen him take on a role that he couldn’t handle. If anything else, Lockout will benefit from a committed performance by Pearce himself.
I’ll just be the asshole that goes ahead and says that even though this premise has been done to death, it still looks interesting in the context of this film. By essentially stealing from every other great breakout sci-fi action film of the 80s and 90s, Lockout mashes them all together into one big super movie and expects the audience to not know the difference. And while this is true for some to most regular movie-goers, film buffs are rather outraged by the film’s shameless borrowing tactics. I for one am open to the idea of derivative and mindless. It gives me a reason to waste 95 minutes of my life and for a decent enough reason at that. Action movies are fun, and the ones that aren’t fun can just go end up in the $5 dollar bin at WalMart.
Joseph Gilgun. A name not familiar to many, but to fans of “Misfits” and This Is England, you probably just jumped for joy at the sight of his name. For those who need to catch up, Joseph Gilgun is, for all intents and purposes, a bad ass. With an intensity similar to that of Tom Hardy in the 2008 film Bronson, Gilgun is able to channel what can be characterized as a slight bout of aggression, into some pretty phenomenal roles. I, for one, am thrilled to see him as Lockout‘s predominant villain. I have a feeling that after Pearce, Gilgun is definitely going to steal the show.
Here you have it folks. My reasoning behind why Lockout might suck, and why it might not. Feel free to comment and agree or disagree.
Original Lockout trailer:
Also, you can watch the first five minutes of the film, as well as a couple of other clips:
We seem to spend a lot of time talking about the various new mind-blowing movies that come out bigger and better every year. So we figured it was time to bring out the science again and put together a list of our 25 Most Anticipated Films of 2012.
Each member of the staff made a list. These lists will be compiled from a point system determined by votes from each member of the staff. It’s very scientific, we used Excel. Our resident cinephile joey123mo will take a look at each movie and outline why it made our list of Most Anticipated Films of 2012!
Grizzly Bomb 
