The Great Silence Celebrating 50th Anniversary With A New 2K Restoration Blu-Ray

The 1968 revisionist Spaghetti Western, The Great Silence, directed and co-written by Sergio Corbucci is celebrating its 50th anniversary with a brand new Blu-ray release of sourced from a recent 2K restoration from U.S. label Film Movement.

Bone Tomahawk Trailer: Kurt Russell Stars In New Horror Western

If you haven’t seen it yet, we’ve got the first official trailer for Bone Tomahawk, the “horror western” starring Kurt Russell that premiered at Fantastic Fest back at the end of September.

Check out the trailer below:

Doctor Who: 703 – ‘A Town Called Mercy’

We join The Doctor, Amy and Rory in the Wild West (they missed their intended target, the Day of the Dead festival by a sizable margin). Turns out that the town they have entered is stuck in a force field that will let no food or weapons in but will let people cross over. The reason for this is because on the horizon there is a teleporting cyborg called The Gunslinger that is out for revenge against the Doctor. No, not our Doctor, but a Doctor called Kahler Jex, who seems like a nice guy. He supplies the town with medical supplies and electricity by using his advanced alien ways and the power from his crashed spaceship.

Best of the Genre: Biggest Badasses – Westerns (Part 2)

On Monday we counted down numbers 10-6, and now we’re rounding out the final five. Now we’re getting into some more familiar faces, but a few may surprise you.

#5.) The Stranger (High Plains Drifter)

Only Clint Eastwood could make getting bathed by a midget look totally badass.

Clint has played a lot of men with no names, but two in particular really stand out (The other one we’ll get to later). The Stranger is the quintessential *mysterious* man with no name, because he literally appears out of nowhere from the heat wave off in the distance. Sure, it could just be an optical illusion, but he does look mighty familiar. The people in the town of Lago can’t seem to put their finger on why he’s so recognizable, but deep down, they know exactly why… The plot of the movie aside, lets talk badassery. One of the first things dude does is walk into town, get a shave and a bath, and avoids getting shot at point-blank, by simply sinking into his bath water. His presence is seemingly supernaturally shielded from the gunfire by being obscured alone.  Once the local folks find out some bandits with a vendetta against the town are coming, they ask him to help them. So what does the Stranger do? Well first, he fires the Sheriff, and makes the town midget Sheriff in his place. If you ask me, anybody who gives midgets free license to be lawmaker of a town, is sure as hell a badass guy. Because as we all know, midgets are awesome, as well as hilarious! So he and the midget Sheriff team up, drink lots of booze and hallucinate about being whipped to death in front of the entire town. Well, something like that anyway. Don’t wanna spoil it for you too much. Stranger starts requesting weirder and weirder things, eventually asking the townspeople to acquire 200 gallons of red paint. He then paints the entire town red, (literally), and renames the town “Hell”. When the bandits arrive, he attacks them with help from the towns people, and the fallout from the whole thing begins to spell things out about who this mysterious stranger is. Throughout the whole movie, you’re wondering what his motive exactly is, and after he’s played the entire town against each other, burned it to the ground, gotten laid a few times and whipped a few dudes to death, he disappears back into the heat wave, same way as he came. Bad. Ass.

Best of the Genre: Biggest Badasses – Westerns (Part 1)

I love westerns. Love them. But unfortunately, I honestly don’t see any new westerns coming out that’ll totally upend and reinvent the genre, thus establishing a new character that could trump any of the following ten. That’s not to say that the western genre is stagnant, or recycling material, but it’s a genre that has clearly peaked, and is in its twilight years, where most modern movies are looking back at its respective genre, rather than looking forward. New great westerns are still being made, they’re just not nearly as popular as they once were, and as such, innovation is mostly being left by the wayside. I suppose you could count Django Unchained as innovation, but I’m still very skeptical on my opinion of that film, a skepticism I’m sure isn’t shared by my colleagues here at Grizzly Bomb.